![]() If you are working with vocals on top of an instrumental, there are two main ways the beat will look: either with tracked-out stems or as a single stereo file (like a wav or mp3 file). You may ask, "But what does the beat have to do with mixing rap vocals?" Everything. Here are just some general rules of thumb when mixing rap vocals that you can try for yourself-coming straight from the horse’s mouth. Some are more accurate, some not-you just have to take them with a grain of salt and try them for yourself.Īs an engineer who works at Studio 11 here in Chicago, a studio that has specialized in hip-hop and rap for more than 20 years (having worked with a young Kanye West, Lupe Fiasco, Crucial Conflict, Lil Durk, and more), we pretty much have it down to a science. That’s because everyone has a different way to do it. If you enjoy certain presets, you can use them as a starting point and tweak them along the way.If you search online for "how to mix rap vocals," you will be scrolling through pages and pages of people telling you all different things. That way, you can test them on your vocal and find out which textures work for you. We encourage you to create FL Studio mixer presets as you go. We also want the vocal to support and supplement the mix by becoming one with the identity of the track and colour of the mix. What works for one might not work for another.Įarlier, we described how we want the mix to adapt to the vocal. Treat every recording as its own unique identity. The microphone, the rapper’s performance, their distance from the mic, and background static – these factors can lead to varied recording results. FL flowĪn enormous part of processing your vocals is understanding what type of recording you’re dealing with. If you’re in a phone booth, follow the rules of the space, and try to keep competing frequencies apart. If your mix already boasts booming mids and you want to stick in a rap vocal, the result might be the sonic equivalent of jamming two angry UFC fighters in a phone booth. Naturally, then, we don’t want this range to be pressured in the instrumental. This average range is very active in the mids and high-mids. Yes, every voice is different but, for the sake of practicality, we can draw some averages here. Though not an instrument per se, the human voice has a range just like any other instrument. This space-awareness concept flows nicely into the next essential step that needs to be addressed: the human voice. So if you’re having a hard time figuring out how to blend your rap vocals, zoom out and consider the overall picture: are there are too many voices that want to speak up? Bear in mind too that rap vocals are perhaps the most active leads you can have in a mix, due to the nature of rap itself.Īdd in the fact that rap vocals don’t simply impart rhythm and sound to the listener but also words that need to stand out, be processed and understood, and you’ll understand that rap vocals need to be granted considerable room in the mix. This may mean artistic sacrifices need to be made in order to get everything clear and just-so. Most of the time, though, you’ll want to treat your rap vocals as the lead elements of your mix. Rap vocals are not an instrument, nor are they sung vocals. ![]() In this tutorial, we’re diving into the crafty art of mixing and blending rap vocals in FL Studio by carefully guiding you through some of the most essential steps to steer your raps right. ![]() ![]() Sometimes, as a producer or audio engineer, you can encounter mixes that prove fascinating simply by virtue of how the audio sits and blesses your ear. Problems are posed right from the recording stage all the way through to the implementation of rap vocals into the stew of your mix. Mixing vocals is an intricate and often delicate art. ![]()
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